Fontaines D.C. graced The Eastern with an electrifying performance that showcased their evolution from Dublin’s post-punk scene to global rock icons. The sold-out crowd, a testament to the band and their growing influence, buzzed with anticipation as the venue filled, eager to witness the Irish quintet’s latest sonic journey.
The stage was set with a striking visual centerpiece: a grandiose shiny heart, pulsating with neon hues, symbolizing the band’s latest album, Romance. This emblematic backdrop set the tone for the evening, hinting at the thematic depth and emotional intensity that would unfold.
As the lights dimmed, an air of suspense enveloped the venue. The opening riffs of “Romance,” the album’s titular track, reverberated through the speakers, signaling the band’s imminent arrival. Emerging from the shadows, Fontaines D.C. took the stage with an aura of mystery and anticipation, immediately captivating the audience.
Frontman Grian Chatten commanded attention with his presence. Clad in a “Fuck You Very Much” T-shirt and holding a Modelo beer, he exuded a cool, almost defiant demeanor. His entrance, coupled with the band’s ominous start, drew parallels to a young Liam Gallagher — stoic, confident, and unapologetically authentic. Chatten’s performance was a masterclass in restraint and intensity, his every movement deliberate, his gaze unwavering, allowing the music to speak volumes.
The band’s lineup — Carlos O’Connell on guitar, Conor Curley on guitar, Conor Deegan III on bass, and Tom Coll on drums — each contributed to the night’s success. O’Connell’s intricate guitar work provided a sonic tapestry that ranged from gritty riffs to ethereal melodies. Curley’s contributions added layers of depth, while Deegan’s bass lines anchored the band’s sound. Coll’s drumming was both precise and dynamic, driving the band’s energy forward.
The lighting design played a pivotal role in the concert’s atmosphere. Throughout the performance, the lighting remained monochromatic, with hues of blue, red, and other colors saturating the stage. This visual choice enhanced the band’s aesthetic, creating an immersive experience that complemented their evolving sound.
Spanning approximately 1 hour and 45 minutes, the setlist comprised 20 tracks, including hits like “Favourite,” “Desire,” and “In the Modern World.” While Chatten’s verbal interactions with the audience were minimal, his expressive arm gestures and commanding presence bridged any gaps, urging the crowd to amplify their energy and enthusiasm.
The encore was a testament to the band’s prowess and the audience’s fervor. “I Love You” was presented in a mesmerizing strobe-lit sequence, enveloping the crowd in a whirlwind of light and sound. The finale, “Starburster,” saw the audience singing in unison, their voices resonating with the raw emotion and intensity of the track – with the crowd playing the part of gaspers to the track.
Fontaines D.C.’s performance proved more than a concert; it was a celebration of their artistic evolution and a reaffirmation of their place in the annals of contemporary rock music. As they continue to push boundaries and redefine genres, one can only anticipate where their musical journey will take them next.
LoudSound Magazine 
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