For what it is worth, there is no real downer on this record, just a volatile good time. Be prepared to get Palaye Royale most of the time and Palaye Royale doing their best impressions at times.
With Invisible People the Bardo Martinez-led four-piece hold their hands to the fire and come out the other side a little more mature, a little more renowned and a hell of a lot cooler.
The New Abnormal is a record by The Strokes for The Strokes, not for the fans, not for the record label and not for the critics — and the result is most welcomed.
Navigating the fine lines between an intimate tranquil performance and an all out dance party, Blood Orange and his band strive for a symphonic balanced attack to the senses.
After nearly forty years since their first track hit the sound waves, thousands of live shows, hundreds of hits and millions of fans, Queensrÿche still posseses the ability to make it all seem intimate and close-knit.
Thousands of aficionados on hand were treated to an extravagant evening of all the shades of Grace Potter. From shredding on her V-type Gibson to some joyous tambourine wizardry and all the excellent keyboard and vocal range execution, Ms. Potter is force to be reckoned with. A master of her craft. A harmonious genius. An entertainer worth every penny paid for admission.
Atlanta may be the trap-rap nest of America, but on this night, New Yorker A$AP Ferg proved to be king of the castle.