All said and done, Mirror Master does possess enough clout to keep fans interested and in tune. This is a deeply analytical and introspective album. Sometimes we don’t like what we find. Other times, we run with it and make lemonade out of lemons.

Mr. Sanchez and the gang have set forth a respectably solid array of prog-metal bangers in a quintessential comic book manner. Welcome back, Amory Wars. Welcome home, Coheed and Cambria.

YSIV brims of fantastic flows and rap jabs that place Logic on the righteous path to rap-game royalty.

Overall, Kamikaze is a decent album bordering on good. One thing is certain, Eminem has not lost a step on flow or punch. His rhymes are ridiculous and otherworldly, while his demeanor screams of confidence. Kamikaze is not Eminem’s best album, but it is step up from the 3 Rs (Relapse, Recovery, and Revival) and that’s a huge win for fans and rap alike.

Hip-Hop has seen many pioneers over the years: wordsmiths like Tupac and Nas, innovators like Kany West, smooth operators like Snoop Dogg, behind-the-scenes wizards like Dre and Puff, rapid-fire maestros like Busta Rhymes, and game-changers like Eminem, Biggie Smalls or Kendrick Lamar. Nonetheless, there’s always space for exciting new talent, and as of right now, we’re placing a big bet on Denzel Curry. He is to-the-core impressive on TA13OO.

Overall, The Now Now is a gorgeously plain variant from the Gorillaz. The flashy friends are in short supply and the melodies showcase a mellow nature. Albarn’s deep lyricism and passionate croons over 2-D’s imaginary soul alleviate in a very real way.

Overall, Call the Comet is the work of a rock icon with a bottomless thirst for reinvention and innovation. It is 2018 and Mr. Marr has set a brand new fucking bar for himself. This son of England’s oasis-themed cosmic-drizzled offering is an exciting and uplifting record that’s on a collision course with those best-of-the-year lists come December.